And yet every human he names has acted irrationally or emotionally, put things at risk or caused a situation that almost turned for the worst. Both he and Kasha have been constantly dismissed as children and told by those who claim they are adults, and therefore smarter and more mature, that their approach to things is therefore worse. The final scene, where even Sheryl admits Karala has been helping them (though who knows if that will last), and they all step back to let Lotta and Karala sort it themselves was powerful, but to me it was Cosmo's final thoughts that cement the importance of it. Feel free to discuss future plot points behind the safe veil of a spoiler tag, or coyly and discreetly ‘Laugh in Rewatcher’ at our first-timers' temporary ignorance, but please ensure our first-timers are no more privy or suspicious than they were the moment they opened the day’s thread.įirst-timers, be aware that you too could have unwanted influence upon others’ perception of future events, so please be careful and use a spoiler tag when disclosing any predictions or inferences that you wouldn’t have wanted to know were they to be true. Rewatchers, please be mindful of your fellow first-timers and tag your spoilers appropriately using the r/anime spoiler tag as so (/s "Spoilers go here.") in order to have your unsightly spoilers obscured like this Spoiler Subject if your comment holds even the slightest of indicators as to future spoilers. MAL | ( | AniDB | Anilist | AnimePlanet | IMDBĪlthough I don't believe it necessitates stating, please conduct yourself appropriately and be court to your fellow participants. References here: Dougram in brief, Fight! Iczer-1 (1985), Neon Genesis Evangelion (1995), Blue Blazes (2014), “Cassette Girl” (2015).◄ Previous Episode | Index | Next Episode ► ![]() Some good character design, consistently atrocious mechanical design. Behold the roaring, bestial Ideon of episode 14, the light-based mindrape of episode 26, and the ship named Crap (in English) in episode 36. It must present the struggle between Eros and Death, between the instinct of life and the instinct of destruction, as it works itself out in the human species”. “I think,” he wrote in Civilization and its Discontents (1930), “the meaning of evolution of civilization is no longer obscure to us. For instance, the technobabble used to describe FTL travel is consistently abbreviated as the “DS drive”, pronounced “ desu doraibu”, homonymous with and clearly alluding to Freud’s sinister death drive. Underneath all of the crappily animated, pointless combat of the far too many episodes, there is a sublime and morbid infantilism, transcendentally geeky and occasionally quite effective. “Space Runaway” seems to be a studio-mandated English title. The original title, Densetsu Kyojin Ideon, uses a neologism (巨神, kyojin, “great god”) in place of its common homonym (巨人, “giant”), thus meaning “Legendary God-Giant Ideon”. Its titular mecha is a cosmic id machine, one of the most powerful in the genre. Eventually, its power is so great that it takes the fate of both entire species into its own hands.Ī more bitterly tragic and bizarre sibling of Mobile Suit Gundam (1979), similarly cancelled before the end of its planned original run. The situation worsens step by step, but each crisis seems to trigger some new ability from deep within the Ideon. The alien clan is trapped in an escalating hunt for those pesky humans, who get little help from their own kind as they flee through the galaxy on a lone Sixth Civilization ship with an atrium on its bridge. United, the artifacts constitute the Ideon, one of the gods, known to the aliens through legend, and greatly feared by some. They move when occupied by young civilians in the fighting, as if awakening almost of their own accord to meet the aliens. ![]() The artifacts are in the shape of three vehicles, refitted by human scientists over the course of a year with an “Intention Automatic” control system. However, the humans have not only been underestimated, they have also recently uncovered a series of large artifacts from the alien Sixth Civilization. While looking for her, the military of her clan find it safest to fire on the primitive, comparatively medieval humans in the area, to get them out of the way. ![]() A woman of alien humanoid nobility descends without permission to investigate a human archaeological excavation on the planet Solo.
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